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32 - Interview with Dr. Joanna Ross Hersey: Discussing Intersectional Brass History
Manage episode 283307481 series 2658161
Episode 32 is a fantastic conversation with Dr. Joanna Ross Hersey, President of the International Women’s Brass Conference, Professor of Tuba and Euphonium at the University of North Carolina at Pembroke, Yamaha and Parker Mouthpiece Performing Artist, composer, and arranger. We discuss her research into women brass players in 19th century America, and discuss many larger points about the importance of representation and diversity in music instruction, research, thinking, and writing.
You can now support the show on Patreon and Teespring! No obligation, but we greatly appreciate any support you're willing to give.
For show notes and resources, visit our website at www.eabbpodcast.com. You can get in touch with us on social media, and by emailing eabb.podcast@gmail.com
Music in this episode comes from Our Musical Past from the Library of Congress.
Episode Structure:
2:26 - Dr. Hersey's musical background
7:15 - Dr. Hersey's undergraduate and graduate studies
13:26 - Dr. Hersey's dissertation research on women brass players and larger points regarding considerations for telling this history
23:10 - Importance of including the history of everyone when teaching music
34:23 - Highlights from Dr. Hersey's dissertation, Boston Fadette Lady Orchestra, women in music at the university level
38:18 - Helen May Butler, Lora Antoinette Reiter, vaudeville
41:30 - Importance of sharing and including these musicians when teaching, International Women's Brass Conference
44:25 - Expectations and experiences, how they vary for different people
51:13 - The Dungill Family Concert Company
54:04 - Geographic effects on who played brass instruments
1:01:45 - Diversifying repertoire
1:09:23 - How we can learn from the past and use it to craft a better future
1:13:48 - Where you can find more about Dr. Hersey
1:16:26 - Featured Album: Dr. Joanna Ross-Hersey: O Quam Miribilis
57 episodes
Manage episode 283307481 series 2658161
Episode 32 is a fantastic conversation with Dr. Joanna Ross Hersey, President of the International Women’s Brass Conference, Professor of Tuba and Euphonium at the University of North Carolina at Pembroke, Yamaha and Parker Mouthpiece Performing Artist, composer, and arranger. We discuss her research into women brass players in 19th century America, and discuss many larger points about the importance of representation and diversity in music instruction, research, thinking, and writing.
You can now support the show on Patreon and Teespring! No obligation, but we greatly appreciate any support you're willing to give.
For show notes and resources, visit our website at www.eabbpodcast.com. You can get in touch with us on social media, and by emailing eabb.podcast@gmail.com
Music in this episode comes from Our Musical Past from the Library of Congress.
Episode Structure:
2:26 - Dr. Hersey's musical background
7:15 - Dr. Hersey's undergraduate and graduate studies
13:26 - Dr. Hersey's dissertation research on women brass players and larger points regarding considerations for telling this history
23:10 - Importance of including the history of everyone when teaching music
34:23 - Highlights from Dr. Hersey's dissertation, Boston Fadette Lady Orchestra, women in music at the university level
38:18 - Helen May Butler, Lora Antoinette Reiter, vaudeville
41:30 - Importance of sharing and including these musicians when teaching, International Women's Brass Conference
44:25 - Expectations and experiences, how they vary for different people
51:13 - The Dungill Family Concert Company
54:04 - Geographic effects on who played brass instruments
1:01:45 - Diversifying repertoire
1:09:23 - How we can learn from the past and use it to craft a better future
1:13:48 - Where you can find more about Dr. Hersey
1:16:26 - Featured Album: Dr. Joanna Ross-Hersey: O Quam Miribilis
57 episodes
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