Flux Factory Buys Building, Retains Soul

Explain Me

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3y ago 1:29:00

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How many times have we seen artist-centered communities lose their grass roots identity when they buy property? High profile organizations that have shed their founders vision as they gained visibility such as the New Museum and Meow Wolf serve as cautionary tales. The quality of the work they produce suffers and their poor treatment of employees makes headlines. That's to say nothing of personality-less art complexes like The Shed, which cement the wealth of their funders while meagerly contributing to the city's cultural life.

But these types of cultural outcomes are a choice and not an inevitable destiny, a reality made clear in this episode's interview with Flux Factory's Nat Roe. In his role as residency Executive Director, Roe recently secured $5 million from the city to purchase the building the organization has been working out of since 2009. Additionally, the organization will now operate a new satellite location, Flux IV, a the 3000 square foot ground floor gallery space on the ground floor of Gotham Point’s South Tower building. At no point in our discussion did we talk about significant changes that needed to be made to Flux's DNA to make this acquisition happen. Rather we talked about the importance of sound proofing their building so they don't disturb the neighbors.

In the midst of LIC, a homogenized tech-enclave for Manhattan commuters, this grass roots artist organization and residency program will now serve as a permanent beacon of creative energy for the community.

Can the DCLA support other smaller arts organizations in New York by helping them purchase real estate? Nat Roe gives us the skinny, going full wonk on city policy, while offering a history of Flux Factory and its place in the New York City arts landscape.

SHOW LINKS Help Launch Flux Factory's new venue, Flux IV The Western Queens Community Land Trust—artist Jenny Dubnau is a co-chair of the board. NY Times Tribeca Art Galleries, June NY Times Tribeca Art Galleries, October article How many times have we seen artist-centered arts organizations lose their NYC Club Scene debt? New York Times Secret Project Robot NYC Commercial Rent Law

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